In 1940s New York, alongside Pollock, de Kooning, and Franz Kline, and later in France, where she lived from 1959, Joan Mitchell developed a unique body of work between abstraction and impressionism, bridging France and the United States.
In 1940s New York, alongside Pollock, de Kooning, and Franz Kline, and later in France, where she lived from 1959, Joan Mitchell developed a unique body of work between abstraction and impressionism, bridging France and the United States.
